1928-1929
1935-1939 1940-1944 1945-1949
1950-1954 1955-1959 1960-1964
1965-1969 1970-1975
Introduction - Alphabetical index - Miscellanea
 |
1955-1959 In 1957, Armando Laborde and Alberto Echagüe leave the orchestra again, this time to go their own way as a duo. In that same year, Fulvio Salamance also leaves to form his own orchestra and is replaced by Juan Polito. In 1958, Carlos Lazzari introduces Jorge Valdez in the orchestra. |
| Style, recording date and record number |
|
Title and authors | |
| Tango 10-06-55 (1A-0492) |
|
Jueves (R. Rossi, U. Toranzo) |
|
| Tango 10-06-55 (1A-0494) |
|
Matrimonio (R. Carlés, H. Gagliardi) |
|
| Tango 10-06-55 (1A-0492) |
|
Hoy Me Vas A Escuchar (J. D'Arienzo, F. Salamanca, C. Bahr) |
|
| Tango 10-06-55 (1A-0495) |
|
De Abolengo (E. Blanco, R. Hormaza) |
|
| Tango 10-06-55 (1A-0495) |
|
Pero Te Sigo Queriendo (E. Alessio, R. Yiso) |
|
| Tango 10-06-55 (1A-0493) |
|
Ya Lo Ves (J. D'Arienzo, L. Rubistein) |
|
| Tango 10-06-55 (1A-0557) |
|
Malas Mañas (A. Marchiolo, A. Leiva) |
|
| Tango 10-06-55 (1A-0493) |
|
Viento Sur (F. Salamanca) |
|
| Tango 10-06-55 (1A-0666) |
|
Como Una De Tantas (C. Lazzari, C. Bahr) |
|
| Milonga 10-06-55 (1A-0494) |
|
La Endiablada (P. Castellanos) |
|
| Tango 24-06-55 (1A-0501) |
|
Mala Pasión (C. Arnáiz, C. Luke) |
|
| Tango 24-06-55 (1A-0501) |
|
Trago Amargo (R. Iriarte, J.P. Navarrine) |
I have never seen the Argentinian one, but on an
Uruguayan edition of 1A-501 Armando Laborde is mentioned as the estribillista, en error of course... |
| Tango 01-07-55 (1A-0557) |
|
El Rezongón (R. Natta) |
|
| Tango 01-07-55 (1A-0666) |
|
Guapo Y Querendon (E. De La Cruz, B. Bazán) |
|
| Tango 09-08-55 (1A-0556) |
|
El Chupete (C.R. Gaudenzio, A. Timarni) |
|
| Vals 09-08-55 (1A-0556) |
|
Porque Tú Me Lo Pides (F. Salamanca, E. Alessio, A. Echagüe) |
|
| Tango 09-08-55 (1A-0667) |
|
Suavemente (M. Bucino) |
|
| Tango 09-08-55 (1A-0667) |
|
La Catrera (A. De Bassi) |
|
| Tango 22-12-55 (1A-0695) |
|
Bien Jaileife (V. Demarco, S. Marinucci, O. Lucchesi) |
|
| Tango 22-12-55 (1A-0696) |
|
Eras Como La Flor (R. Rufino, M.C. Arrieta) |
|
| Tango 22-12-55 (1A-0696) |
|
Avivate Pipistrelo (J. De La Fuente, D. Marra, A. Marra) |
|
| Tango 22-12-55 (1A-0695) |
|
Loca (M. Jovés) |
|
| Tango 17-05-56 (1A-0870) |
|
Chamusquina (Nada) (J. D'Arienzo, F. Salamanca, C. Waiss) |
|
| Tango 17-05-56 (1A-0870) |
|
Palabras Amargas (R. Yiso, E. Alessio) |
|
| Vals 17-05-56 (1A-0871) |
|
Me Quieres Y Te Quiero (V. Virgillito, A. Cantó) |
|
| Tango 17-05-56 (1A-0871) |
|
La Tango (Irazal, A. Echagüe) |
"Irazal" is the pseudonym (and vesre) of Carlos Lázzari |
| Tango 23-05-56 (1A-0878) |
|
Carpeta (R. Rufino, E. Cadícamo) |
|
| Tango 23-05-56? |
|
Sin Barco Y Sin Amor (E. Suárez, E. Lary) |
Recording data according to R.G. Miglio (Armando Laborde discography) and the Euro Records edition (RCA-Archivo - EU-16009) but in the Baba collection the date is 13-03-57 |
| Tango 19-07-56 (1A-0981) |
|
Petitero (S. Lípesker, A. Cammarota, A. Libreto) |
|
| Tango 19-07-56 (1A-0981) |
|
Ay Mimosa (J. D'Arienzo, F. Salamanca, C. Waiss) |
|
| Tango 23-08-56 (1A-0878) |
|
Cantemos, Corazón (E. Alessio, R. Yiso) |
|
| Tango 23-08-56 (1A-1067) |
|
Lloremos (Cendal, L. Spanu) |
|
| Tango 23-08-56 (1A-1065) |
|
Aclaremos (R. Iglesias) |
|
| Tango 23-08-56 (1A-1066) |
|
Calla Bandoneón (C. Lazzari, O. Rubens) |
|
| Tango 20-09-56 (1A-1173) |
|
Qué Me Quiten Lo Bailao (M. Bucino) |
|
| Tango 20-09-56 (1A-1173) |
|
Esta Vida Es Puro Grupo (A. Tavarozzi, E.C. Sotelo) |
|
| Milonga 20-09-56 (1A-1065) |
|
Criticona (E. Blanco, R. Hormaza) |
|
| Vals 20-09-56 (1A-1067) |
|
Olga (F. Peña) |
|
| Vals 20-09-56 |
|
Lloré Por Los Dos (J. Díaz, O. Campagnale) |
|
| Milonga 20-09-56 (1A-1066) |
|
Pampeana (P. Laurenz) |
|
| Tango 10-12-56 (1A-1174) |
|
Y Todavía Te Quiero (L. Leocata, A. Aznar) |
|
| Tango 10-12-56 (1A-1174) |
|
Cantemos, Corazón (E. Alessio, R. Yiso) |
|
| Tango 13-03-57 (1A-1475) |
|
El Puaso (A. Casablanca, D. Sciarra Vignoli) |
|
| Tango 13-03-57 (1A-1229) |
|
Yo Soy Repique De Tango (Hnos. Rodríguez, C.E. Flores) |
|
| Tango 13-03-57 (1A-1229) |
|
Yo Me
Quedó Con El Tango (E. Alessio, R. Yiso) |
"Yo Me Quedó Con El Tango" and "Susanita" are
in fact the same tango. Last recording with Fulvio Salamanca. |
| Tango 08-05-57 (1A-2025) |
|
Llegando A Puerto (E. Lary, M. Demarco) |
First recording with the new orchestra of 1957 (with Juan Polito) |
| Tango 08-05-57 (1A-2025) |
|
Andate Por Dios (E. Blanco, R. Hormaza) |
|
| Tango 13-06-57 (1A-1306) |
|
No Te Quiero Más (J. Baüer) |
|
| Milonga 13-06-57 (1A-1306) |
|
Bien Porteña (E. Alessio) |
|
| Tango 29-06-57 (1A-1317) |
|
Julie (E. Alessio, C. Lazzari) |
|
| Tango 29-06-57 (1A-1317) |
|
La Calesita (M. Mores, C. Castillo) |
|
| Tango 29-06-57 (1A-1318) |
|
Destino De Flor (R. Rufino, A. Romay) |
|
| Tango 29-06-57 (1A-1318) |
|
Mandria (J.C. Rodríguez, F. Brancatti, J.M. Velich) |
|
| Tango 19-07-57 (1A-1336) |
|
Don Goyo (L. Bernstein) |
|
| Tango 19-07-57 (1A-1336) |
|
Susanita (Yo Me Quedó Con El Tango) (E. Alessio, R. Yiso) |
"Yo Me Quedó Con El Tango" and "Susanita" are in fact the same tango. |
| Tango 02-08-57 (1A-1348) |
|
El Reloj (R. Cantoral) |
|
| Vals 02-08-57 (1A-1348) |
|
Señora Princesa (A. Bruni, R. Lambertucci) |
|
| Tango 08-08-57 (1A-1371) |
|
Quedémonos Aquí (H. Stamponi, H. Expósito) |
|
| Tango 08-08-57 (1A-2063) |
|
La Misma Canción (C. Lazzari, A. Aznar) |
|
| Tango 08-08-57 |
|
Apasionadamente (E. Del Piano, M. Mañueco) |
|
| Vals 08-08-57 (1A-2088) |
|
En El Rosal (C. Puglisi, D. Ventrice, C. Russo) |
|
| Tango 15-08-57 (1A-1371) |
|
Estas Cosas De La Vida (A. Gallucci, R. Yiso) |
|
| Tango 22-08-57 (1A-1403) |
|
En El Cielo (E. Alessio, E. Lary) |
|
| Tango 22-08-57 (1A-1403) |
|
Si Soy Así (F. Lomuto, A. Botta) |
|
| Tango 29-08-57 (1A-1475) |
|
Santa Milonguita (E. Delfino, E. Cadícamo) |
The master numbers for this session - as given by Akihito Baba - show a
gap: TB-320, TB-322, TB-323 - Error or still a recording to discover ? |
| Tango 29-08-57 (1A-1570) |
|
Mi Amor Y Tu Amor (E. Alessio, R. Yiso) |
|
| Tango 29-08-57 (1A-2063) |
|
Imperdonable (R. Carlés, A.C. Minotti) |
|
| Tango 22-05-58 (1A-2088) |
|
Papá (E. Alessio, R. Yiso) |
|
| Tango 22-05-58 (1A-1564) |
|
Castigo Y Pasión (C. Lazzari, E.F. Rodriguez) |
|
| Tango 22-05-58 (1A-1564) |
|
Pienso (M. Bustos) |
|
| Vals 28-05-58 (1A-1571) |
|
Que Seas Muy Feliz (Lita) (R. Rufino, A. Romay) |
|
| Tango 28-05-58 (1A-1571) |
|
Yo Sé Que Te Adoro (J. Polito, P.G. Galelli) |
|
| Tango 28-05-58 (1A-1621) |
|
Muchachita De París (E. Blanco, R. Hormaza) |
|
| Tango 28-05-58 (1A-1570) |
|
Andate Con Tu Mamá (Crisol, Garrocha, M. Bustos) |
|
| Tango 12-06-58 (1A-4005) |
|
Por Donde Andará? (S. Merico, A. Supparo) |
|
| Tango 12-06-58 (1A-1608) |
|
Bueno, Derecho Y Varón (J. Polito, A. Gatti) |
|
| Tango 12-06-58 (1A-1621) |
|
No Tenemos Perdón (E. Baya, J. César) |
|
| Tango 12-06-58 (1A-1608) |
|
Adiós Corazón (L. Etchegoncelay, H. Sapelli) |
|
| Tango 12-06-58 (1A-1654) |
|
Igual Que Judas (C.E. Auzón, J. Rótulo) |
|
| Tango 12-06-58 |
|
Barrio De
Guapos (P. Castellanos, C. Flores) |
This tango was recorded by its author and by Enrique Rodriguez with the title Nyanzas Y Malevos |
| Tango 19-06-58 |
|
Lástima (J.E. Martínez, L. Caruso) |
|
| Tango 19-06-58 |
|
Nosotros (E. Alessio, R. Yiso) |
|
| Tango 19-06-58 (1A-1653) |
|
Soy Un Pálido Fantasma (O. Tarantino, A.R. Gatti) |
|
| Tango 19-06-58 (1A-1653) |
|
Que Dios Te Bendiga (A. Junnissi, A. Cantó, V. Virgillito) |
|
| Milonga 03-07-58 (1A-1609) |
Mario Bustos |
Baldosa Floja (F. Sassone, J. Bocazzi, D. Gilardoni) |
|
| Tango 03-07-58 (1A-1743) |
|
El Tango No Tiene Contra (M. Maffia, C. Demaría, A. Chinarro) |
|
| Tango 10-07-58 (1A-1609) |
|
Nada Más (J. D'Arienzo, L. Rubistein) |
|
| Tango 10-07-58 |
|
El Embrollo (E.E. Gilardi) |
|
| Tango 24-07-58 (1A-1654) |
|
Qué Me Importa Tu Pasado (Retama, R. Giménez) |
|
| Tango 24-07-58 (1A-1805) |
|
Criollo De Ley (C. Aiello, J. Aiello) |
|
| Tango 11-09-58 |
|
No Me Extraña (A.A. Romano, A. Celenza, C. Bahr) |
|
| Tango 11-09-58 |
|
No Llores Por Favor (A. Longo, J.L. Ricardi) |
|
| Vals 13-09-58 (1A-1637) |
|
Un Vals Para Mamá (E. Alessio, R. Yiso) |
|
| Tango 13-09-58 (1A-1637) |
|
Don Alejandro (A. Junnissi, C. Lazzari) |
|
| Vals 29-10-58 |
|
María Celosa (A. Bruni, R. Lambertucci) |
Seven recordings from this period (María
Celosa, Diez Años, No
Me Vengas Con Cuentos, Y No
Puedo Comprender, Calandria Triste,
Judas, Con Alma De Tango), and 3 more from
1962-63, were discovered and
published by the Buenos Aires Tango Club
(Volumen 11 - Juan D'Arienzo '57/'63) The master numbers given by Baba leave room for more unknown recordings in the 29-10-58 session JAAB-0738: Chirusa (confirmed on record 1A-1743) JAAB-0741: Marinera JAAB-0743: Gerardo Matos Rodriguez |
| Tango 29-10-58 (1A-1743) |
|
Chirusa (J. D'Arienzo, N. López) |
|
| Tango 29-10-58 (1A-1671) |
|
Marinera (P. Laurenz, C. Marín) |
|
| Tango 29-10-58 (1A-1671) |
|
Gerardo Matos Rodríguez (P.A. Hechim, R. Rosales) |
|
| Tango 12-11-58 (1A-1678) |
|
Justo Un Año (M. Bucino) |
|
| Tango 12-11-58 (1A-1693) |
|
Ché Fulano (F. Villa) |
|
| Tango 12-11-58 (1A-1697) |
|
Sabras Quién Soy (N. Tavarozzi, S. Adamini) |
|
| Tango 19-11-58 |
|
Moneda Sin Valor (G. Yorio, J. Yannelli) |
|
| Tango 19-11-58 (1A-1805) |
|
Adiós Chantecler (E. Cadícamo) |
Chantecler: the cabaret where the D'Arienzo orchestra played between 1934 and 1950. In 1960, it will eventulally be demolished. |
| Tango 19-11-58 (1A-1693) |
|
Sin Alma Y Sin Dios (A.C. Minotti, Mapera) |
On AVL-3204 it appears as "Sin Alma Y Sin Adios" |
| Vals 03-12-58 (1A-1678) |
|
Feliz Navidad (J. D'Arienzo, J. Polito, E. Rodriguez) |
|
| Tango 03-12-58 (1A-4041) |
|
La Sentada (H. Susena) |
|
| Tango 10-12-58 (1A-1806) |
|
Tu Noche Es Mi Noche (A. Baliotti, J. Locatelli) |
|
| Tango 10-12-58 (1A-1772) |
|
Barrio Belgrano (E. Blanco) |
|
| Tango 10-12-58 |
|
No, No Me La Nombres (C. Lazzari, T. Martín, R. Yiso) |
|
| Tango 10-12-58 (1A-1697) |
|
El Tigre Millán (F. Canaro) |
|
| Tango 17-12-58 (1A-1772) |
|
Buenas Noches, Mi Amor (J. Polito, A.R. Gatti) |
|
| Tango 17-12-58 (1A-1806) |
|
Justo El 31 (E.S. Discépolo, R. Radaelli) |
|
| Tango 17-12-58 |
|
Diez Años (C. Puglisi, P. De Gregorio, M. Ferradas Campos) |
Seven recordings from this period (María Celosa, Diez Años, No Me Vengas Con Cuentos, Y No
Puedo Comprender, Calandria Triste,
Judas, Con Alma De Tango), and 3 more from
1962-63, were discovered and
published by the Buenos Aires Tango Club
(Volumen 11 - Juan D'Arienzo '57/'63) Although I don't know the master number, I suppose that it fills the gap at 0819 for the recording session of 17-12-58 0817: Buenas Noches, Mi Amor 0818: Justo El 31 0820: Muñeca Brava |
| Tango 17-12-58 (1A-2164) |
|
Muñeca Brava (L. Visca, E. Cadícamo) |
|
| Tango 23-12-58 (1A-1750) |
|
Hasta Siempre, Amor (D. Racciatti, F. Silva) |
|
| Tango 23-12-58 (1A-4004) |
|
Por Tu Culpa Te Perdí (C. Lazzari, O. Fleitas) |
|
| Vals 23-12-58 |
|
Bonanza (J. Ortega, A. Gianelli) |
|
| Tango 23-12-58 (1A-1750) |
|
Mas Grande Que Nunca (C. Lazzari, E. Alessio) |
|
| Tango 15-10-59 (1A-1815) |
|
La Negra Bozán (P.A. Hechim) |
Dedicated to Sofía Bozán (1904-1958) The version with Horacio Palma on the BATC edition "Juan D'Arienzo - Horacio Palma (1960-62)" is a radio recording (09-07-1960 - Radio Belgrano). |
| Tango 15-10-59 (1A-1816) |
|
Dáme Mi Libertad (M.B. Sucher, C. Bahr) |
|
| Tango 15-10-59 (1A-1815) |
|
Casita De Nacar (A. Gatti, J. Dragone) |
|
| Tango 15-10-59 (1A-1816) |
|
La Bruja (J. Polito, F. Gorrindo) |
|
| Vals 29-10-59 |
|
Calandria Triste (C. Puglisi, R. Yiso) |
Seven recordings from this period (María Celosa, Diez Años, No Me Vengas Con Cuentos, Y No Puedo Comprender, Calandria Triste, Judas, Con Alma De Tango), and 3 more from 1962-63, were discovered and published by the Buenos Aires Tango Club (Volumen 11 - Juan D'Arienzo '57/'63) |
| Tango 29-10-59 |
|
Con Alma De Tango (J. D'Arienzo, C. Waiss) |
Edited for the first
time
in the "70 Años" series (Sony-BMG), Vol.11
"Barrio Belgrano (1958-1959)", an
instrumental track that was intended to be coupled with the voice of
Jorge Valdez (something which doesn't seem to have happened). Is it really different from the BATC edition (claimed to be recorded on another day) ? There are some very minor differences which could be digitalization artifacts. On the other hand, earlier edition of some titles on this CD (Diaz Años, Judas) by the BATC is acknowledged - not so for Con Alma De Tango. The liner notes on "70 Años" are written by Carlos Puente, who is also associated with the BATC. |
| Tango 29-10-59 |
|
No Me Vengas Con Cuentos (C. Lazzari, M. Bustos) |
Seven recordings from this period (María Celosa, Diez Años, No Me Vengas Con Cuentos, Y No Puedo Comprender, Calandria Triste, Judas, Con Alma De Tango), and 3 more from 1962-63, were discovered and published by the Buenos Aires Tango Club (Volumen 11 - Juan D'Arienzo '57/'63) |
| Tango 29-10-59 |
|
Y No Puedo Comprender (E. Alessio, R. Yiso) |
Seven recordings from this period (María Celosa, Diez Años, No Me Vengas Con Cuentos, Y No Puedo Comprender, Calandria Triste, Judas, Con Alma De Tango), and 3 more from 1962-63, were discovered and published by the Buenos Aires Tango Club (Volumen 11 - Juan D'Arienzo '57/'63) |
| Tango 29-10-59 (1A-2164) |
|
Pasajera (D. Sciaraffia, C. Volpe) |
|
| Tango 29-10-59 |
|
Quién Como Yo (J.A. Castro, C. Bahr) |
|
| Tango 29-10-59 |
|
Pero Solo Estoy Mejor (C. Lazzari, J. Cesar) |
|
| Tango 12-11-59 |
|
Judas (C. Marchisio, C. Santiago) |
Seven recordings from this period (María Celosa, Diez Años, No Me Vengas Con Cuentos, Y No
Puedo Comprender, Calandria Triste,
Judas, Con Alma De Tango),
and 3 more from
1962-63, were discovered and
published by the Buenos Aires Tango Club
(Volumen 11 - Juan D'Arienzo '57/'63) I suppose that it fills the master number gap at 1375 for the recording session of 12-11-59 1374: Porque Te Sigo Queriendo 1376: Por La Vuelta 1377: Rié, Payaso |
| Tango 12-11-59 (1A-4005) |
|
Porque Te Sigo Queriendo (J. De La Fuente, L. Diaz Vélez, R. Rufino) |
|
| Tango 12-11-59 (1A-2183) |
|
Por La Vuelta (J. Tinelli, E. Cadícamo) |
|
| Tango 12-11-59 |
|
Ríe, Payaso (V.R. Carmona, E. Falero) |
|
| Vals 19-11-59 (1A-1833) |
|
De Los Dos (H.L. Stamponi, F. Silva) |
|
| Tango 19-11-59 (1A-1832) |
|
Amar, Para Que? (E. Alessio, E. Lary) |
|
| Tango 20-11-59? |
|
Con Alma De Tango (J. D'Arienzo, C. Waiss) |
Seven recordings from this period (María Celosa, Diez
Años, No Me Vengas Con Cuentos,
Y No
Puedo Comprender, Calandria Triste,
Judas, Con Alma De Tango), and 3 more from
1962-63, were discovered and
published by the Buenos Aires Tango Club
(Volumen 11 - Juan D'Arienzo '57/'63) However it is not sure that this isn't a duplicate of the 29-10 recording. If not, and if the recording date is correct, it could fill a master number gap for the 20-11-59 session 1395: Munyinga 1396: Engañadora 1398: Tapado Gris |
| Milonga 20-11-59 (1A-2183) |
|
Munyinga (O. Romanelli, A. Casciani) |
|
| Milonga 20-11-59 |
|
Engañadora (E. Alessio, C. Lazzari) |
|
| Tango 20-11-59 (1A-1832) |
|
Tapado Gris (B. García, L. Bayardo) |
|
| Tango 26-11-59 (1A-1833) |
|
Llamarada Pasional (H.L. Stamponi, T. Merello) |
|
| Tango 26-11-59 (1A-4060) |
|
Que Dios Nos Comprenda (D. Racciatti, E. Soriano) |
|
| Vals 26-11-59 |
|
La Perfumada Flor (J. Polito, E. Dizeo) |
1928-1929
1935-1939
1940-1944 1945-1949
1950-1954 1955-1959 1960-1964
1965-1969 1970-1975
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 e-mail |