In 1945, Héctor Mauré leaves the orchestra, starts working as a soloist and is replaced by Armando Laborde,
who will form with Alberto Echagüe one of the most popular vocal duos ever known
1928-1929
1935-1939 1940-1944 1945-1949
1950-1954 1955-1959 1960-1964
1965-1969 1970-1975
Introduction - Alphabetical index - Miscellanea
|
1945-1949 In 1945, Héctor Mauré leaves the orchestra, starts working as a soloist and is replaced by Armando Laborde, who will form with Alberto Echagüe one of the most popular vocal duos ever known |
| Style, recording date and record number |
|
Title and authors | |
| Tango 17-04-45 (60-0669) |
Armando Laborde |
Aparcero (A. Aieta, A. Radicci) |
|
| Tango 17-04-45 (60-0669) |
|
Pájaro Sin Luz (C. Marchisio, C. Santiago) |
|
| Tango 17-04-45 (60-0683) |
|
Sigueme, Si Puedes (J. Caldarella, A. Scarpino) |
Original title: Seguime Si Podés, as used by
all others (Canaro, 1928 - Juan Sanchez Gorio, 1952 - Osvaldo Pugliese,
1953 ...). Once again related to the puritanism of the radio censorship
years (1943-1949) ? |
| Tango 04-05-45 (60-0699) |
|
Corrientes Y Esmeralda (F. Pracánico, C.E. Flores) |
|
| Vals 04-05-45 (60-0683) |
|
La Pena Del Payador (J. Servidio, L. Servidio, E.E. Méndez) |
|
| Tango 04-05-45 (60-0699) |
|
Si Supiera Que La Extraño (H. Varela, C. Wais) |
|
| Tango 25-06-45 (60-0715) |
|
Ya Estamos Iguales (A. Aieta, F.G. Jiménez) |
|
| Tango 25-06-45 (60-0715) |
|
El Tren De Las Once (H. Susena) |
|
| Vals 26-07-45 (60-0743) |
|
Me Duele El Corazón (L. Mendoza, C. Yeguit) |
|
| Tango 26-07-45 (60-0743) |
|
El Pensamiento (J. Martínez) |
|
| Tango 26-07-45 (60-0770) |
|
Andanzas (E. Blanco, C. Waiss) |
|
| Tango 28-08-45 (60-0770) |
|
Pregonera (A. De Angelis, J. Rótulo) |
|
| Tango 28-08-45 (60-0785) |
|
Aquí He Venido A Cantar (F. Salamanca, C. Bahr) |
|
| Tango 28-08-45 (60-0785) |
|
Azul Y Oro (E. Aguirre) |
|
| Tango 03-10-45 (60-0801) |
|
Canchero (A. De Bassi, C. Flores) |
|
| Tango 03-10-45 (60-0801) |
|
Vamos Zaino (E. Cadícamo, R. Luna) |
|
| Tango 26-10-45 (60-0822) |
|
Don Alfonso (H. Varela, E. Blanco) |
 With this theme, D'Arienzo participates in the movie "El Cantor del Pueblo" (1948).Watch the fragment on Youtube |
| Tango 26-10-45 (60-0822) |
|
Leguisamo Solo (M. Papavero) |
|
| Tango 24-12-45 (60-0850) |
|
Yo No Espero Nada (S. Alonso, J. Alberto) |
|
| Milonga 24-12-45 (60-0850) |
Armando Laborde |
Del Pasado (F.A. Marino) |
|
| Tango 24-12-45 (60-0865) |
|
Siempre Amigos (L. Demare, R. Fugazot, A. Irusta, E. Cadícamo) |
This title may cause some confusion. "Siempre Amigos"
is
the title of a tango by Benjamin Tagle Lara with lyrics by Carlos V.G.
Flores (which has been recorded by Ignacio Corsini). However, the one
mentioned here, is better known as "Pa'mi es igual (Siempre amigos)".
Although I have never seen the original disco all sources seem to
mention "Siempre amigos", in fact the subtitle. |
| Tango 24-12-45 (60-0865) |
|
La Galarcita (M. Guariglia, A. Timarni) |
|
| Tango 06-03-46 (60-0896) |
|
Con Alma De Tango (J. D'Arienzo, C. Waiss) |
|
| Vals 06-03-46 (60-0896) |
Armando Laborde |
Tendrás Que Llorar (C. Tapia) |
|
| Milonga 06-03-46 (60-0897) |
|
La Espuela (E. Pigrau Güidini) |
|
| Tango 06-03-46 (60-0897) |
|
Te Espero En Rodríguez Peña (H. Varela, C. Waiss) |
|
| Tango 06-03-46 (60-0935) |
|
Don Goyo (L. Bernstein) |
|
| Vals 03-05-46 (60-0935) |
Armando Laborde |
Lo Mismo Que Ayer (J. D'Arienzo, H. Varela, H. Varela) |
|
| Tango 03-05-46 (60-0936) |
|
Pan Comido (I. Gomez, E. Dizeo) |
|
| Tango 03-05-46 (60-0936) |
|
Siete Leguas (T. Lespés, C. Waiss) |
|
| Tango 26-08-46 (60-1028) |
|
El Entrerriano (R. Mendizabal) |
|
| Tango 26-08-46 (60-1028) |
|
Condesita (M. Battistella, O. Venditti) |
|
| Milonga 26-08-46 (60-1029) |
|
Chaparrón (P. Castellanos, F.G. Jiménez) |
|
| Tango 26-08-46 (60-1029) |
|
Desde Aquella Noche (F. Salamanca, C. Bahr) |
|
| Vals 26-08-46 (60-1030) |
|
No Tienes Corazón (S. Adamini) |
|
| Tango 26-08-46 (60-1030) |
|
Me Grita El Corazón (M. Bonano, R. Miró) |
|
| Tango 18-10-46 (60-1079) |
|
Sábado Inglés (Juan Maglio) |
|
| Tango 18-10-46 (60-1079) |
|
Sin Amor (L.E. Etchegoncelhay, H. Sapelli) |
|
| Tango 18-10-46 (60-1078) |
|
Con Todo Mi Corazón (A. Condercuri, R. Yiso) |
|
| Tango 18-10-46 (60-1078) |
|
Loca (M. Jovés) |
|
| Tango 30-10-46 (60-1104) |
|
Tiene Razón Amigazo (A.V. Calabró, E. Dizeo) |
|
| Tango 30-10-46 (60-1104) |
|
La Canción De Mi Tristeza (J.S. Gorio, H. Sanguinetti) |
|
| Tango 06-12-46 (60-1151) |
Armando Laborde |
Yo No Sé Llorar (J. Do Reyes, C. Flores) |
|
| Milonga 06-12-46 (60-1151) |
|
Calandria Pampa (M. Fama, G. Medina) |
|
| Tango 06-12-46 (60-1244) |
|
Esta Noche Me Emborracho (E.S. Discépolo) |
|
| Tango 23-12-46 (60-1163) |
|
El Tarta (J.M. Rizzuti, E. Fresedo) |
|
| Vals 23-12-46 (60-1163) |
|
Se Apagó Una Estrella (G. Yorio, E. Pellejero, J. Santanero) |
|
| Tango 27-02-47 (60-1244) |
|
Triste Soledad (F. Fernández, R. Caldas) |
|
| Tango 30-04-47 (60-1293) |
|
Lágrimas (E. Arolas) |
|
| Tango 30-04-47 (60-1293) |
|
Y Entonces Lloraras (H. Varela, C. Waiss) |
|
| Tango 13-05-47 (60-1331) |
|
Dos Amores (A. Sureda, G. Sureda) |
|
| Tango 13-05-47 (60-1330) |
|
La Guitarrita (E. Arolas) |
|
| Tango 20-05-47 (60-1330) |
|
El Penado 14 (A. Magaldi, P. Noda, C. Pesce) |
|
| Tango 20-05-47 (60-1331) |
|
El Pollo Ricardo (L.A. Fernández) |
|
| Milonga 19-06-47 (60-1359) |
Armando Laborde |
Por Dos Caminos (A. Lista, C. Waiss) |
|
| Tango 19-06-47 (60-1359) |
|
Cambalache (E.S. Discépolo) |
|
| Tango 08-08-47 (60-1405) |
|
Cartón Junao (J. D'Arienzo, H. Varela, C. Waiss) |
|
| Tango 08-08-47 (60-1405) |
|
Rawson (E. Arolas) |
|
| Tango 17-09-47 (60-1433) |
|
Muchachita Del Recuerdo (E. De la Cruz, C. Puglisi, C. Marín) |
|
| Tango 17-09-47 (60-1433) |
|
Dios Te Salve, M'Hijo (A. Magaldi, P. Noda, L.A. Garcia) |
|
| Tango 17-12-47 (60-1517) |
|
Don Horacio (P. Castellanos) |
|
| Tango 17-12-47 (60-1516) |
|
Lenguas De Fuego (J. D'Arienzo, H. Varela, C. Wais) |
|
| Milonga 17-12-47 (60-1518) |
|
Dale, Dale Caballito (F. Salamanca, C. Bahr) |
|
| Milonga 17-12-47 (60-1517) |
Armando Laborde |
El Viento Me Cuenta Cosas (M. Bucino) |
|
| Tango 17-12-47 (60-1518) |
|
Contra Luz (H. Susena) |
|
| Milonga 17-12-47 (60-1516) |
|
Campeona (J.C. Caprario) |
|
| Tango 23-12-47 (60-1519) |
|
Ladrón De Sueños (J. Díaz, H. Marcó) |
|
| Tango 23-12-47 (60-1519) |
|
Felicia (E. Saborido) |
|
| Vals 18-02-48 (60-1554) |
|
Olga (F. Peña) |
|
| Tango 18-02-48 (60-1554) |
|
Hotel Victoria (F. Latasa, C. Pesce) |
|
| Tango 07-05-48 (60-1629) |
|
Una Y Mil Noches (O. Cufaro, A. San Miguel, C. Bahr) |
|
| Tango 07-05-48 (60-1591) |
|
El Choclo (A. Villoldo) |
|
| Milonga 07-05-48 (60-1591) |
|
El Raje (J. D'Arienzo, H. Varela, C. Wais) |
|
| Tango 15-06-48 (60-1629) |
|
Barajando (N. Vaccaro, E.E. Méndez) |
|
| Tango 15-06-48 (60-1628) |
|
Qué Apuro Tengo (E. Blanco, C. Bahr) |
|
| Tango 15-06-48 (60-1628) |
|
Don Juan (E. Ponzio, R.J. Podestá) |
|
| Tango 23-09-48 (60-1684) |
Armando Laborde |
Pampa Y Huella (J. Díaz, H. Marcó) |
|
| Vals 23-09-48 (60-1683) |
|
Eterna (F. Salamanca, C. Bahr) |
|
| Tango 23-09-48 (60-1684) |
|
Pof Pof (V. Greco) |
|
| Tango 23-09-48 (60-1683) |
|
Derecho Viejo (E. Arolas) |
|
| Tango 06-04-49 (60-1788) |
|
Chichipía (J. D'Arienzo, H. Varela, C. Wais) |
|
| Tango 06-04-49 (60-1788) |
|
La Morocha (E. Saborido) |
|
| Tango 06-04-49 (60-1789) |
|
Santa Madrecita (J. D'Arienzo, H. Varela, C. Waiss) |
|
| Tango 06-04-49 (60-1787) |
|
Caña (E. Monaco, E. Esviza, J. Araujo) |
|
| Tango 06-04-49 (60-1787) |
|
Delfino (R.P. Peralta) |
|
| Tango 06-04-49 (60-1789) |
|
La Payanca (A.P. Berto) |
|
| Tango 06-04-49 (60-1790) |
|
Vencido (O. Cufaro, H. Gagliardi) |
|
| Tango 06-04-49 (60-1790) |
|
Pampa (F. Pracánico) |
|
| Tango 26-07-49 (60-1821) |
|
La Maleva (A. Buglione, M. Pardo) |
|
| Tango 26-07-49 (60-1821) |
|
Farabute (J. Barreiro, A. Casciani) |
|
| Tango 24-11-49 (60-1875) |
|
As De Bastos (L. Caruso) |
The same recording (master number 91470) was reedited
on record 68-0223 (same contents as 60-1875) but with the alternate
title "Rey de Triunfo" Even record nr. 60-1875 itself was edited with both titles !  
|
| Tango 24-11-49 (60-1875) |
|
Yuyo Brujo (B. García, Sos Taita) |
There exists an anecdote about the misterious
co-author Sos Taita, and although I have it second-hand it is too
beautiful not to be mentioned here. It seems to have been told by
Armando Laborde in an interview with Néstor Pinsón. Benjamin García (who is mentioned as the componist, along with the text writer Sos Taita) was a bandoneonist and good friend to Héctor Varela, at that time first bandoneonist in the D'Arienzo orchestra. Benjamin García had financial problems and Varela told him : "We'll make you a tango and if D'Arienzo puts it to record you will get some good money from it". So, Héctor Varela composed the music and Carlos Wais wrote the lyrics. Carlos Waiss was part of the author team D'Arienzo-Varela-Waiss that had already written many themes for the D'Arienzo orchestra. For this one, Yuyo Brujo, he preferred to use a pseudonym. So in this "friends story", one more friend had to show up : boxing champion Oscar Sostaita , great admirer of the D'Arienzo orchestra, who inspired Carlos Waiss to choose the pseudonym Sos Taita. What was really a Varela-Waiss theme was published as by Benjamin García-Sos Taita. And D'Arienzo recorded it... Carlos Waiss reused this pseudonym at least twice - Y Bésame Otra Vez (Angel Condercuri & Sos Taita), recorded by Héctor Varela with Rodolfo Lesica (1956) - El Tiempo Sera Testigo (R. Gimenez & Sos Taita), recorded by Héctor Varela with Armando Laborde (1962) The name Sos Taita is only used on the record labels. At SADAIC the compositions are registered in his own name. |
| Tango 24-11-49 (60-1876) |
|
Don Pacifico (A. De Bassi) |
|
| Tango 24-11-49 (60-1876) |
|
Amarga Sospecha (F. Salamanca, C. Bahr) |
|
| Tango 24-11-49 (60-1877) |
|
La Catrera (A. De Bassi) |
|
| Tango 24-11-49 (60-1877) |
|
Si Yo La Quiero (J.G. De Pilato, C. Bahr) |
|
| Milonga 19-12-49 (60-1900) |
|
El Potro (P. Castellanos) |
|
| Vals 19-12-49 (60-1899) |
Armando Laborde |
Mi Cariñito (A. De Angelis, J. Rótulo) |
|
| Tango 19-12-49 (60-1900) |
|
Nació En Pompeya (N. Paredes, J. Rótulo) |
Original title: Nací en Pompeya (as it is
registered at SADAIC) |
| Milonga 19-12-49 (60-1898) |
|
Un Cambio Te Viene Bién (E. Blanco, A. Marino) |
|
| Tango 19-12-49 (60-1899) |
|
El Rey Del Compás (Principe Cubano) |
See also the note at the 1941
version |
| Tango 19-12-49 (60-1898) |
|
Unión Cívica (D. Santa Cruz) |
1928-1929
1935-1939
1940-1944 1945-1949
1950-1954 1955-1959 1960-1964
1965-1969 1970-1975
|
|
|
|
 e-mail |