1928-1929
1935-1939 1940-1944 1945-1949
1950-1954 1955-1959 1960-1964
1965-1969 1970-1975
Introduction - Alphabetical index - Miscellanea (NEW: LP Record List)
 |
1965-1969 In 1965 Osvaldo Ramos (name given by D'Arienzo), who sang with Florindo Sassone as Osvaldo De Santi, replaces Jorge Valdez. Alberto Echagüe returns in 1968. Besides the AVL/AVS long play records, some editions from 3AE-series (EP - extended play - with 4 titles) are mentioned. |
| Style, recording date and record number |
|
Title and authors | |
| Tango 11-08-65 (AVL-3603) |
|
Nueve Puntos (F. Canaro) |
 All recordings from 11-08-65 to 27-08-1965 were edited on the long play record "D'Arienzo Interpreta a Canaro" (AVL-3603) |
| Tango 11-08-65 (AVL-3603) |
|
La Tablada (F. Canaro) |
|
| Tango 11-08-65 (AVL-3603) |
|
Sentimiento Gaucho (F. Canaro, R. Canaro, J.A. Caruso) |
|
| Tango 11-08-65 (AVL-3603) |
|
El Pollito (F. Canaro) |
|
| Tango 11-08-65 (AVL-3603) |
|
El Chamuyo (F. Canaro) |
|
| Tango 11-08-65 (AVL-3603) |
|
Charamusca (F. Canaro) |
|
| Vals 12-08-65 (AVL-3603) |
|
Yo No Sé Que Me Han Hecho Tus Ojos (F. Canaro) |
|
| Tango 12-08-65 (AVL-3603) |
|
Tiempos Viejos (F. Canaro, M. Romero) |
|
| Tango 12-08-65 (AVL-3603) |
|
El Triunfo (F. Canaro) |
|
| Tango 27-08-65 (AVL-3603) |
|
El Alacrán (F. Canaro) |
|
| Tango 27-08-65 (AVL-3603) |
|
El Internado (F. Canaro) |
|
| Tango 27-08-65 (AVL-3603) |
|
Se Acabaron Los Otarios (F. Canaro, J.A. Caruso) |
|
| Tango 02-09-65 (AVL-3688) |
|
Desconocidos (L. Stazo, F. Silva) |
The recordings from this session, together with 2 more from 1965, 2 earlier ones from the end of 1964 and Formidable (1962) and Tucumán (1950) were edited together on the long play record AVL-3688 "Ché Timbero" |
| Tango 02-09-65 (AVL-3688) |
|
Julieta Y Romeo (C. Lazzari, J. Polito, A.R. Gatti) |
|
| Tango 27-09-65 (AVL-3688) |
|
Solo Un Renglón (J. De La Fuente, A. Gatti) |
|
| Tango 27-09-65 (AVL-3688) |
|
Ché Timbero (C. Zagnoli, H.A. Bello Schmitt) |
|
| Milonga 27-09-65 (AVL-3688) |
Armando Laborde |
La Mimada (M.A. Fama) |
|
| Tango 27-09-65 (AVL-3688) |
Osvaldo Ramos |
Junto A Mi China (C. Puglisi, Lafe) |
|
| Tango 14-10-65 (AVL-3634) |
|
Dandy (L. Demare, A. Irusta, R. Fugazot) |
 Several recordings from this and the next session, together with two earlier recordings with Jorge Valdez, No Nos Veremos Más (1963) and Amor de Verano (1964) were edited together on the long play record "Mi Noche Triste" (AVL-3634). |
| Tango 14-10-65 (AVL-3634) |
|
De Puro Curda (C. Olmedo, A. Aznar, H. Di Carlo) |
|
| Tango 14-10-65 (AVL-3634) |
|
Camino Sin Final (J. Tinelli, C. Marín) |
|
| Tango 14-10-65 (AVL-3634) |
|
Solamente Por Amor (Ely Zule) |
|
| Tango 14-10-65 (AVL-3688) |
|
Calla (R. Rufino, M. Barros) |
|
| Tango 14-10-65 (AVL-3634) |
|
El Tren De Las Ocho (J. Polito, C. Lazzari, A. Lamonaca) |
D'Arienzo and Ramos also appear with this theme in the now forgotten movie "Una ventana al exito" (1966), also included: Ya Lo Ves with Armando Laborde |
| Tango 18-11-65 (AVL-3634) |
|
Solo Tu Voz (R. Pereyra, A.B. Baya) |
|
| Tango 18-11-65 (AVL-3634) |
|
Día De Tango (M. Bloise, A. Lucia, V. San Lorenzo) |
|
| Tango 18-11-65 (AVL-3634) |
|
Cuanto Te Extraño Vida Mía (E. Alessio, M. Bucino) |
|
| Tango 18-11-65 (AVL-3634) |
|
El Que Atrasó El Reloj (G. Barbieri, E. Cadícamo) |
|
| Tango 18-11-65 (AVL-3688) |
|
Nada, Nada Más Que Amor (J. Dames, O. Rubens) |
|
| Tango 18-11-65 (AVL-3634) |
|
Mi Noche Triste (S. Castriota, P. Contursi) |
|
| Tango 25-07-66 (AVL-3705) |
|
El Amanecer (R. Firpo) |
 The recording from this and the following session were edited together on the long play record "For Export Vol.2" (AVL 3705). |
| Tango 25-07-66 (AVL-3705) |
|
La Payanca (A.P. Berto) |
|
| Tango 25-07-66 (AVL-3705) |
|
La Viruta (V. Greco) |
|
| Tango 25-07-66 (AVL-3705) |
|
Rodriguez Peña (V. Greco) |
|
| Tango 25-07-66 (AVL-3705) |
|
Vea, Vea (R. Firpo) |
|
| Tango 25-07-66 (AVL-3705) |
|
Entre Dos Fuegos (A.L. Buchardo) |
|
| Tango 03-08-66 (AVL-3705) |
|
Benguria (R. Firpo) |
|
| Tango 03-08-66 (AVL-3705) |
|
De Mi Flor (R. Firpo) |
|
| Tango 03-08-66 (AVL-3705) |
|
Nueve De Julio (J.L. Padula, L. Bayardo) |
|
| Tango 03-08-66 (AVL-3705) |
|
Pura Trampa (C. Lazzari, J. Polito, J. Dragone) |
|
| Tango 03-08-66 (AVL-3705) |
|
El Once (O. Fresedo, E. Fresedo) |
|
| Tango 03-08-66 (AVL-3705) |
|
Gran Hotel Victoria (F. Latasa, C. Pesce) |
|
| Tango 10-11-66 (AVL-3730) |
|
Para Siempre (A. Pontier, F. Silva) |
The recording from the remaining 1966 sessions were edited together on the long play record "Bailate Un Tango, Ricardo" (AVL 3730). The master numbers for this session - as given by Akihito Baba - show a gap: 6492 and 6497 to 6500 - This looks like a really large gap to fill with still unknown recordings... |
| Tango 10-11-66 (AVL-3730) |
|
Un Trabajo Flor Y Flor (E. Guerra, A. Laborde, E. Pauloni) |
|
| Tango 10-11-66 (AVL-3730) |
|
Presente Barra Querida (M. Orrico, H.A. Bello Schmitt) |
|
| Tango 10-11-66 (AVL-3730) |
|
Argañaráz (R. Firpo, E. Cadícamo) |
"Argañaraz" is the title of the original
instrumental tango by Firpo. When in 1930, lyrics were added by Enrique
Cadícamo the title changed to "Aquellas farras" but only Gardel
used it. Other versions (D'Arienzo/Laborde, D'Agostino/García, Joaquín Do
Reyes/Lucero) were published with the original title. |
| Tango 10-11-66 (AVL-3730) |
|
Bailate Un Tango, Ricardo (J. D'Arienzo, U. Petit de Murat) |
 This was D'Arienzo's contribution to the project "14 con el tango" of Ben Molar: 14 tangos from 14 different composers, 14 text writers, with 14 paintings. The 14 tangos were published in november 1966 (Fermata label) on a long play record with an orchestra directed by Alberto Di Paulo, in this case with the voice of Enrique Dumas, accompanying painting by Leopoldo Presas. |
| Milonga 17-11-66 and/or 03-01-67? (AVL-3730) |
Armando Laborde |
Amor De Fortinera (C. Lazzari, J. Polito) |
Both Baba and R.G. Miglio (in his discographies of
Osvaldo Ramos and Armando Laborde - in the latter the milonga is mislabeled as a
tango) mention 03-01-67 as the recording date for both Amor De Fortinera and Azul, Siempre Azul. However, the master numbers given by the same Baba suggest 17-11-66 (and that is how they are ordered here) 6516: Amor de Fortinera 6517: Arroro Nené 6518: Azul, Siempre Azul 6519: Virgen de la Serrania 6520: A Orlando Goñi 6521: Al Gran Maestro D'Arienzo If the master numbers are wrong, then we have at least one more gap (6518) with another unknown recording. The most logical explanation could be that these were effectively recorded on 17-11-66 but that for some (technological?) reason the recordings had to be repeated on 03-01-67, reusing the master numbers as attributed on 17-11-66. Whatever the reason was, it must have been convincing, D'Arienzo did not like recording in january... ;-) |
| Tango 17-11-66 (AVL-3730) |
|
Arrorro Nené (C. Lazzari, J. Polito, A.R. Gatti) |
|
| Tango 17-11-66 and/or 03-01-67? (AVL-3730) |
|
Azul, Siempre Azul (C. Lazzari, J. Polito, A.R. Gatti) |
See note at Amor De Fortinera |
| Tango 17-11-66 (AVL-3730) |
Osvaldo Ramos |
Virgen De La Serrania (E. Donato, A. Cosentino) |
|
| Tango 17-11-66 (AVL-3730) |
|
Orlando Goñi (A. Gobbi) |
|
| Tango 17-11-66 (AVL-3730) |
|
Al Gran Maestro D'Arienzo (A.C. Minotti) |
|
| Tango 22-11-66 (AVL-3730) |
|
Me Diste Un Beso (C. Lazzari, J. Polito, A.C. Minotti) |
|
| Tango 27-07-67 (AVL-3759) |
|
Organito De La Tarde (C. Castillo, J.G. Castillo) |
 The recording from the 07 and 08-69 sessions (with 2 exceptions) were edited together on the long play record "For Export Vol.3" (AVL 3759). |
| Tango 27-07-67 (AVL-3759) |
|
Qué Noche (A. Bardi) |
|
| Tango 27-07-67 (AVL-3759) |
|
Inspiración (P. Paulos, L. Rubistein) |
|
| Tango 27-07-67 (AVL-3759) |
|
Ahí Va El Dulce (J. Canaro) |
|
| Tango 27-07-67 (AVL-3759) |
|
El Chupete (R. Gaudenzio) |
|
| Milonga 27-07-67 (AVL-3759) |
|
Papas Calientes (E. Arolas) |
|
| Tango 02-08-67 (AVL-3790) |
|
Eso Si Que No Y Que No (J. D'Arienzo, H.A. Bello Schmitt) |
|
| Tango 02-08-67 (AVL-3759) |
|
La Racha (A. Bardi) |
|
| Tango 16-08-67 (AVL-3759) |
|
El Tamango (C. Posadas) |
|
| Tango 16-08-67 (AVL-3759) |
|
La Clavada (E.F. Zambonini) |
|
| Tango 16-08-67 (AVL-3759) |
|
La Guitarrita (E. Arolas) |
|
| Tango 21-08-67 (AVL-3759) |
|
Sollozos (O. Fresedo, E. Fresedo) |
|
| Tango 21-08-67 (AVL-3790) |
|
De Ayer Y Hoy (A. Tavarozzi, A. Cicchetti) |
|
| Tango 21-08-67 (AVL-3759) |
|
El Horizonte (R. Firpo) |
|
| Tango 23-10-67 (AVL-3790) |
|
El Jagüel (C. Posadas) |
 The recording from this and the next session and 2 earlier ones (08-67) were edited together on the long play record "De Ayer Y Hoy" (AVL 3790). |
| Tango 23-10-67 (AVL-3790) |
|
El Recodo (A. Junnissi) |
|
| Tango 23-10-67 (AVL-3790) |
|
Cordón De Oro (C. Posadas) |
|
| Tango 23-10-67 (AVL-3790) |
|
El Buey Solo (A. Bardi) |
|
| Tango 23-10-67 (AVL-3790) |
|
Ventarrón (P. Maffia, J.H. Staffolani) |
|
| Tango 23-10-67 (AVL-3790) |
|
Yo Te Quiero Así (A. Pontier, F. Silva) |
|
| Tango 30-10-67 (AVL-3790) |
|
Sin Explicación (O. Cáceres, N. Amengual) |
|
| Tango 30-10-67 (AVL-3790) |
Armando Laborde |
Guitarra (M. Bucino) |
|
| Tango 30-10-67 (AVL-3790) |
|
D'Arienzo, Vos Sos El Rey (A. Viola, H. Palacios) |
|
| Tango 30-10-67 (AVL-3790) |
|
Buscate Un Amorcito (J. De La Fuente, A.R. Gatti) |
|
| Tango 14-11-67 (AVL-3854) |
|
El Opio (F. Canaro) |
 All
recordings from the november 1967 sessions - a mix of traditional with
3 newer compositions - were edited together on the long play record "Barrio Reo" (AVL-3854, also in stereo as AVS-3854) |
| Tango 14-11-67 (AVL-3854) |
|
Barrio Reo (R. Fugazot, A. Navarrine) |
|
| Tango 14-11-67 (AVL-3854) |
|
Cuéntame Tu Pena (F. Silva, F.S. Paz) |
|
| Tango 14-11-67 (AVL-3854) |
|
Milagro De Tango (Lanata, Sciarra, Vignoli) |
|
| Tango 14-11-67 (AVL-3854) |
|
Me Vio Tu Barrio (C. Lazzari, J. Polito, A. Cereminati) |
|
| Tango 14-11-67 (AVL-3854) |
|
Adiós Bardi (O. Pugliese) |
|
| Tango 14-11-67 (AVL-3854) |
|
La Trilla (E. Arolas) |
|
| Tango 14-11-67 (AVL-3854) |
|
Tinta Verde (A. Bardi) |
|
| Tango 28-11-67 (AVL-3854) |
|
Canaro En París (A. Scarpino, J. Caldarella, J. Scarpino) |
|
| Tango 28-11-67 (AVL-3854) |
|
C.T.V. (A. Bardi) |
|
| Tango 28-11-67 (AVL-3854) |
|
Portero, Suba Y Díga (E. De Labar, L.C. Amadori) |
|
| Tango 28-11-67 (AVL-3854) |
|
La Mariposa (P. Maffia, C.E. Flores) |
|
| Tango 27-08-68 (AVL-3819) |
|
Porqué Porqué Mi Dios (J. D'Arienzo, H.A. Bello Schmitt) |
 The recordings from 1968 seem to have been edited on the long play record "D'Arienzo en Japón" (AVL-3819). All these recordings are suspiciously absent in modern CD reeditions.Athough the LP title suggests this, D'Arienzo never went to Japan, in spite of the fact the Japanese emperor offered him a plain (but D'Arienzo had fear of flying), a boat (a voyage which would take too long) and even - so the legend goes - a submarine ! Did the orchestra travel to Japan without its director ? R.G. Miglio vaguely suggested this in his short Alberto Echagüe biography when discussing his third stay in the orchestra, from 1968 on ("Y justamente ese año 1968, viaja a Japón con la orquesta..."). But it seems difficult to find confirmation and the question remains if D'Arienzo would have agreed with it. Note added 2012-11: Royce (thank you !) has confirmed me that effectively the orchestra travelled to Japan WITHOUT its director - much to the disappointment of the Japanese fans. |
| Tango 27-08-68 (AVL-3819) |
|
Mi Japón (A Mi Japón) (C. Lazzari, J. Polito, A. Cereminati) |
Not te be missed on Youtube: Echagüe singing in Japanese... |
| Tango 27-08-68 (AVL-3819) |
|
No Te Hagas La Lechuguita (J. Polito, A. Laborde, E. Guerra) |
|
| Tango 27-08-68 (AVL-3819) |
|
La Pista Esta Que Arde (C. Lazzari, J. Polito, Avlis) |
|
| Tango 27-08-68 (AVL-3819) |
|
Gardenias (M.P. Huergo, M. Ferradas Campos) |
|
| Tango 27-08-68 (AVL-3819) |
|
Si Pido Más Me Paso (J. Basso, M. Bucino) |
|
| Tango 27-08-68 (AVL-3819) |
|
A Mi Vieja (J. Munhe) |
(with some uncertainty about the author: possibly Juan Carlos Canete Munho or Juan Muncho) |
| Tango 27-08-68 (AVL-3819) |
|
El Oriental (D. Racciatti) |
|
| Tango 06-09-68 (AVL-3819) |
|
Viejo Lobo (O. De La Fuente, A. Anaya) |
|
| Tango 06-09-68 (AVL-3819) |
|
Padre Mío (G. Gómez, R. Cardé) |
|
| Tango 13-09-68 (AVL-3819) |
|
Siguiendo El Compás (L. Maggiolo) |
|
| Tango 13-09-68 (AVL-3819) |
|
A La D'Arienzo (J. Reschini) |
|
| Tango 01-08-69 (AVL-3883) |
|
Sin Ti (J. Galeno, H. Bello) |
 Several recordings from the sessions between 08-69 and 09-69 were edited together on the long play record "Con Tu Compás" (AVL-3883). |
| Tango 01-08-69 (AVL-3883) |
|
Con Tu Compás (L.C. Guerello, J. Igartua) |
|
| Tango 01-08-69 (AVL-3925) |
|
El Tren De Buenos Aires (H. Silva, L.F. Andueza) |
 Several recordings from the sessions between 08-69 and 10-69 were edited together on the long play record "Tigre Viejo" (AVL-3925). |
| Tango 01-08-69 (AVL-3989) |
|
Dulce Novia (M.A. Mazzini) |
More on AVL-3989 here |
| Tango 01-08-69 (AVL-3883) |
|
Las Cuarenta (R. Grela, F. Gorrindo) |
|
| Milonga 01-08-69 (AVL-3925) |
|
Milonga Para Un Viejo Amor (A. Ceti, A. Pernas) |
|
| Tango 01-08-69 (AVL-3883) |
|
Aquel Abril (A. Ceti, A. Pernas) |
|
| Tango 01-08-69 (AVL-3989) |
|
El Africano (E. Pereyra, F.A. Lio) |
|
| Tango 12-08-69 (AVL-3925) |
|
Sombras De Olvido (A.F. Guevara) |
|
| Tango 12-08-69 (AVL-3883) |
|
Gotas De Veneno (A. Tavarozzi, J.C. Welker) |
|
| Tango 12-08-69 (AVL-3883) |
|
Solo Tuya (E. Franco, C. Martínez, N. Hermida) |
|
| Tango 12-08-69 (3AE-3683) |
|
D'Arienzo Y Palito (C. Lazzari, J. Polito, A. Cereminati) |
Edited on EP together with 3 titles that also appeared on LP records
(Con Tu Compás, Cumpleaños de Mama, Solo Tuya) |
| Tango 18-09-69 (AVL-3925) |
|
Ojos Negros (V. Greco) |
|
| Tango 18-09-69 (AVL-3883) |
|
Mariposita (A. Aieta, F.G. Jiménez) |
|
| Tango 18-09-69 (AVL-3925) |
|
De Puro Guapo (P. Laurenz) |
|
| Tango 18-09-69 (AVL-3883) |
|
El Arranque (J.De Caro) |
|
| Tango 18-09-69 (AVL-3883) |
|
El Jaguar (A. Lombardo) |
|
| Tango 18-09-69 (AVL-3883) |
|
El Incendio (A. De Bassi) |
|
| Tango 18-09-69 (AVL-3925) |
|
Tigre Viejo (S. Grupillo) |
|
| Tango 18-09-69 (AVL-3883) |
|
La Chiflada (A. Aieta) |
|
| Tango 18-09-69 (AVL-3925) |
|
La Sonámbula (P. Cardarópoli) |
|
| Tango 18-09-69 (AVL-4210) |
|
Gallo Ciego (A. Bardi) |
More on AVL-4210 here |
| Vals 18-09-69 (AVL-3925) |
|
Cumpleaños De Mamá (A.C. Minotti) |
|
| Tango 18-09-69 (AVL-3883) |
Armando Laborde |
Pregonera (A. De Angelis, J. Rótulo) |
|
| Tango 20-10-69 (AVL-3989) |
|
Catamarca (E. Arolas, J.F. Blanco) |
Four recordings from this session, 2 earlier ones from 08-69 and 6 more
from the aug/sept 70 sessions were edited together on the long play
record AVL-3989 "Armenonville" |
| Tango 20-10-69 (AVL-3989) |
|
Retintín (E. Arolas) |
|
| Tango 20-10-69 (AVL-4099) |
|
Un Lamento (G. De Leone) |
More on AVL-4099 here |
| Tango 20-10-69 (AVL-3925) |
|
Pelele (P. Maffia) |
|
| Tango 20-10-69 (AVS-4579) |
|
El 13 (A. Spátola) |
More on AVS-4579 here |
| Tango 20-10-69 (AVL-4210) |
|
Germaine (A.L. Buchardo) |
More on AVL-4210 here |
| Tango 20-10-69 (AVL-3989) |
|
Falso (J. D'Arienzo, H.A. Bello Schmitt) |
|
| Tango 20-10-69 (3AE-3697) |
|
Cebollitas De Potrero (J. Polito, C. Lazzari, A.R. Gatti) |
Edited on EP together with 3 titles that also appeared on LP records (Mariposita, Que Mufa Ché, Gotas de Veneno) |
| Tango 20-10-69 (AVL-3925) |
|
A Tu Lado (R. Cuenca) |
|
| Tango 20-10-69 (AVL-3925) |
|
Qué Mufa Ché (J. Sturla, A. Zambaldi) |
|
| Canción campera 20-10-69 (AVL-3925) |
Osvaldo Ramos |
El Aguacero (C. Castillo, J.G. Castillo) |
|
| Milonga 20-10-69 (AVL-3989) |
|
El Pimpollo (J. Dragone, R. Cardé) |
1928-1929
1935-1939
1940-1944 1945-1949
1950-1954 1955-1959 1960-1964
1965-1969 1970-1975
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 e-mail |