| Style, recording date and record number |
Singer(s)
|
Title and authors |
|
Tango
12-04-40 (38956) |
|
Entre Dos Fuegos
(L. Buchardo) |
First recording with the new orchestra (see above)
|
Milonga
12-04-40 (38956) |
Alberto Reynal
|
Salí De Perdedor
(H. Varela, I. Nery) |
|
Tango
17-05-40 (38984) |
Alberto Reynal
|
Chirusa
(J. D'Arienzo, N. López) |
|
Vals
17-05-40 (38984) |
Alberto Reynal
|
A Una Mujer
(H. Salgán, C. Volpe) |
|
Tango
07-06-40 (38999) |
|
El Pillín
(F. Canaro) |
|
Milonga
07-06-40 (38999) |
Alberto Reynal
|
Cajita De Música
(P. Castellanos) |
|
Vals
27-06-40 (39011) |
|
Fibras
(E. Bonessi, F. Sierra) |
|
Tango
27-06-40 (39011) |
|
Tucumán
(J.L. Padula) |
|
Tango
08-08-40 (39052) |
|
La Bicoca
(J.A. Severino) |
|
Milonga
08-08-40 (39052) |
Carlos Casares
|
Barracas Al Sud
(F. Salamanca, J. Alberto) |
|
Tango
22-08-40 (39063) |
Alberto Reynal
|
El Tigre Millán
(F. Canaro) |
|
Tango
22-08-40 (39063) |
Carlos Casares
|
Ríe, Payaso
(V.R. Carmona, E. Falero) |
|
Tango
09-10-40 (39111) |
|
La Clavada
(E.F. Zambonini) |
|
Tango
09-10-40 (39111) |
Carlos Casares
|
Yo También
(L.N. Visca, L. Rubistein) |
|
Tango
21-11-40 (39149) |
|
Canaro En París
(A. Scarpino, J. Caldarella, J. Scarpino) |
|
Tango
21-11-40 (39149) |
Alberto Reynal
|
El Corazón Me Engañó
(M. Bucino) |
|
Tango
12-12-40 (39187) |
Alberto Reynal
|
No Te Engañes Corazón
(R. Sciammarella) |
|
Milonga
12-12-40 (39187) |
Alberto Reynal
|
Milonga Del 83
(J.D. Pécora, P. Romano) |
|
Tango
12-12-40 (39197) |
Alberto Reynal
|
Esclavas Blancas
(H.G. Pettorossi) |
|
Vals
12-12-40 (39197) |
Héctor Mauré
|
Flor Del Mal
(J.C. Graviz) |
First recording with Héctor Mauré
|
Tango
31-12-40 (39215) |
|
Quasi Nada
(J. Maglio, F. Brancatti) |
|
Vals
31-12-40 (39215) |
Héctor Mauré
|
Miedo
(E. Blanco, I. Casado) |
|
Tango
26-02-41 (39237) |
|
Fuegos Artificiales
(E. Arolas, R. Firpo) |
Only known studio recording by D'Arienzo. Another
version was recorded for the radio show "Ronda Musical de las
Américas", ca. 1946
|
Tango
26-02-41 (39237) |
Alberto Reynal
|
Almanaque De Ilusión
(A. Tavarozzi, H. Marcó) |
|
Tango
28-04-41 (39273) |
Héctor Mauré
|
Ya Lo Ves
(J. D'Arienzo, L. Rubistein) |
|
Milonga
28-04-41 (39273) |
Alberto Reynal
|
Candombe Oriental
(P. Castellanos) |
The CD El Bandoneón n°109, "Cambalache"
mentions, erroneously, Alberto Echagüe, who had already left in
1941 and would only return in 1944. |
Tango
21-05-41 (39297) |
Héctor Mauré
|
Dime, Mi Amor
(R. Sciammarella, M. Romero) |
 With this theme D'Arienzo participates in the movie "Yo Quiero Ser Bataclana"
(Manuel Romero, 1941) this time a duo with with Juan Carlos Thorry and Sabina Olmos (see the fragment on Youtube). In the same movie D'Arienzo interprets El Vino Tristo (with Nini Marshall) and also directs, in the train scene (foto), Yo Quiero Ser Bataclana (no known studio recording)
|
Tango
21-05-41 (39297) |
|
Quién Te Iguala
(A. Michetti) |
|
Tango
09-06-41 (39313) |
Héctor Mauré
|
Tierrita
(A. Bardi, J.F. Blanco) |
|
Vals
09-06-41 (39313) |
Héctor Mauré
|
Adiós Querida
(H. Salgan, C. Volpe) |
|
Tango
14-07-41 (39343) |
Héctor Mauré
|
Nunca Más
(F. Lomuto, O. Lomuto) |
|
Tango
14-07-41 (39343) |
|
Canaro
(J. Martínez) |
|
Tango
14-07-41 (39362) |
Héctor Mauré
|
El Olivo
(A. Scatasso, J.D. Vivas, N. Cabral) |
In the Baba collection listed as "El Olvido" (it is
not my ambition to list each and every spelling error that may appear
somewhere but in this case some confusion could arrise) |
Tango
14-07-41 (39362) |
Héctor Mauré
|
Humillación
(R. Biagi, C. Bahr) |
|
Milonga
29-07-41 (39380) |
|
Bolada De Aficionado
(A. Villoldo) |
|
Tango
29-07-41 (39380) |
Alberto Reynal
|
Olvidao
(G. Barbieri, E. Cadícamo) |
|
Tango
12-09-41 (39421) |
|
Hernani
(D. Santa Cruz) |
|
Tango
12-09-41 (39421) |
|
El Rey Del Compás
(Principe Cubano) |
Tango dedicated to D'Arienzo, first recorded by the
Orq. Típica Víctor (1939).
D'Arienzo was given the knickname "El Rey del Compás" already before his first 1935 recordings.
The references in the lyrics (no known interpretation) suggest that
they were written many years later.
Quien puede olvidar acaso
tu famosa Puñalada
Tucumán
y La Endiablada
Jueves,
Loca y El Puntazo
y aquellos otros golazos
Paciencia,
Precio, Dos Guitas
tu creación que palpita
de tu tango El vino triste
y ese golazo que hiciste
del tango La Cumparsita
....
El es: El Rey del Compás
y se llama Juan D'Arienzo.
|
Vals
12-09-41 (39472) |
Héctor Mauré
|
La Serenata De Ayer
(M. Buzón, I.R. Aguilar) |
|
Tango
12-09-41 (39472) |
Héctor Mauré
|
Sobre El Pucho
(S. Piana, J.G. Castillo) |
|
Tango
24-10-41 (39438) |
Alberto Reynal
|
Orquesta Típica
(E. Cadícamo, R. Luna) |
|
Milonga
24-10-41 (39438) |
Héctor Mauré
|
Carnavalera
(S. Piana, H. Manzi) |
|
Vals
12-11-41 (39516) |
Héctor Mauré
|
Cuatro Palabras
(M. Bucino) |
|
Tango
12-11-41 (39540) |
|
El Resero
(R. Petillo) |
|
Tango
15-12-41 (39516) |
|
El Calabozo
(A. Gentile) |
|
Vals
15-12-41 (39485) |
Héctor Mauré
|
El Vals De Los Abuelos
(L. Rubistein) |
|
Tango
15-12-41 (39485) |
Héctor Mauré
|
Infamia
(E.S. Discépolo) |
|
Milongón
15-12-41 (39540) |
Héctor Mauré
|
El Porteño
(J. Caló, R. Caló, H.E. Callón) |
|
Tango
25-03-42 (39564) |
Héctor Mauré
|
Garronero
(J. D'Arienzo, J.F. Caride) |
|
Milonga
25-03-42 (39564) |
Héctor Mauré
|
El Naranjerito
(S.H. Varela, I. Nery, H. Expósito) |
|
Tango
25-03-42 (39651) |
Alberto Reynal
|
Culpas Ajenas
(E. Ponzio, J. Curi) |
|
Tango
22-04-42 (39588) |
Alberto Reynal
|
Consejos
(J. D'Arienzo, N. López) |
|
Tango
22-04-42 (39651) |
Héctor Mauré
|
Barranca Abajo
(M.G. Servetto) |
|
Tango
22-04-42 (39588) |
|
Loca
(M. Jovés) |
|
Tango
29-04-42 (39611) |
Alberto Reynal
|
Vidas Marcadas
(R. Sciammarella) |
|
Vals
29-04-42 (39611) |
Héctor Mauré
|
Muchachita Porteña
(M. Mores, A. Vacarezza) |
|
Tango
18-06-42 (39638) |
Héctor Mauré
|
Mírame En La Cara
(H. Varela, L. Castiñeira) |
|
Tango
18-06-42 (39638) |
|
Tierra Negra
(G. De Leone, J.F. Noli) |
|
Tango
18-06-42 (39676) |
|
El Amasijo
(A.R. Avilés) |
|
Tango
21-07-42 (39676) |
Héctor Mauré
|
El Retobao
(J. Rezzano, F.A. Lio) |
|
Tango
21-07-42 (39736) |
Héctor Mauré
|
Y Se Van Los Años
(C. Puglisi, L. Castiñeira) |
|
Vals
21-07-42 (39736) |
Héctor Mauré
|
Tu Pañuelo
(A. Timarni, I. Diez) |
|
Tango
12-08-42 (39689) |
Héctor Mauré
|
Claudinette
(E. Delfino, J. Centeya) |
|
Milonga
12-08-42 (39689) |
Héctor Mauré
|
Tirando A Matar
(P. Castellanos) |
|
Tango
24-09-42 (39787) |
Juan Carlos Lamas
|
Pompas De Jabón
(R.E. Goyeneche, E. Cadícamo) |
|
Tango
24-09-42 (39768) |
Juan Carlos Lamas
|
Embrujamiento
(D. Smurra, R. Malerba, M. Ferradas Campos) |
|
Tango
24-09-42 (39787) |
|
Sans Souci
(E. Delfino) |
|
Tango
24-09-42 (39741) |
Juan Carlos Lamas
|
Vieja Recova
(R. Sciammarella, E. Cadícamo) |
On various editions, both spellings (Vieja recova /
Vieja recoba) can be found.
|
Milonga
24-09-42 (39741) |
Héctor Mauré
|
Cortada De San Ignacio
(H. Salgán, C. Volpe) |
|
Tango
27-10-42 (60-0006) |
|
El Lazo
(E.A. Caccavaio, E. Cardenas) |
At the end of 1942, Víctor changed its record
numbering system (from the 3xxxx series to the 60-xxxx series).
We now see clearly that this recording was edited at least 2 months
after its production. The strict rhythm of the early years (2 recorded
- 2 edited, and so on...) gradually eroded from the end of 1941 on, by mixing
recordings of different sessions on a single edition.
|
Vals
27-10-42 (39768) |
Héctor Mauré
|
Criollita Linda
(J. Di Clemente) |
|
Tango
27-10-42 (39816) |
Juan Carlos Lamas
|
Carancho
(F. Salamanca, H. Marcó) |
|
Tango
27-10-42 (60-0302) |
Juan Carlos Lamas
|
Seguime Corazón
(B. Suárez, J.F. Blanco) |
|
Tango
22-12-42 (60-0054) |
|
Chiqué
(R.L. Brignolo) |
|
Tango
22-12-42 (39816) |
Héctor Mauré
|
Compadrón
(L.N. Visca, E. Cadícamo) |
|
Tango
22-12-42 (60-0054) |
Héctor Mauré
|
Cicatrices
(A.R. Avilés, E.P. Maroni) |
|
Tango
22-12-42 (60-0022) |
|
Independencia
(A. Bevilacqua, A. Timarni) |
|
Vals
22-12-42 (60-0006) |
Héctor Mauré
|
Tan Solo Tu
(S. Dominguez, H. Marcó) |
|
Milonga
29-12-42 (39835) |
Héctor Mauré
|
La Rumbita Candombé
(O. Novarro, R. Fortunato, M. Batistella) |
|
Tango
29-12-42 (39835) |
Juan Carlos Lamas
|
Pobre Mascarita
(C.S. Granata, O. Romanelli) |
|
Tango
29-12-42 (60-0022) |
Héctor Mauré
|
Judas
(C. Marchisio, C. Santiago) |
|
Tango
23-06-43 (60-0302) |
Héctor Mauré
|
Enamorado
(Principe Cubano) |
The same composition, but with the original title "Metido", was recorded by Fresedo
(with Roberto Ray, 1932) and Biagi (with Alberto Lago, 1942). Possibly
another case of title change in tango due to radio censorship in 1943
(aimed at banning all popular and Lunfardo expressions)
|
Milonga
23-06-43 (60-0136) |
Juan Carlos Lamas
|
Música De Mi Argentina
(M. Bucino) |
|
Tango
23-06-43 (60-0119) |
Héctor Mauré
|
Tres Horas
(H. Varela, I. Nery) |
|
Vals
23-06-43 (60-0119) |
Héctor Mauré
|
Se Fue
(H. Salgán, P. Valdez) |
Baba mentions 3 authors: Oscar Rubens and P. Valdez
(pseudonym) are in fact the same person.
|
Tango
23-06-43 (60-0136) |
Héctor Mauré
|
Arlette
(A. Bonavena, H. Sanguinetti) |
|
Tango
13-07-43 (60-0388) |
|
Vea, Vea
(R. Firpo) |
|
Tango
13-07-43 (60-0130) |
Héctor Mauré
|
Tango Brujo
(F. Canaro) |
|
Milonga
13-07-43 (60-0130) |
Héctor Mauré
|
Tabú
(E. Rossi, R. Thompson) |
|
Tango
28-09-43 (60-0208) |
Héctor Mauré
|
Si La Llegaran A Ver
(J. D'Arienzo, E. Cadícamo) |
|
Vals
28-09-43 (60-0208) |
Héctor Mauré
|
Aunque Vivas En El Cielo
(F. Salamanca, H. Marcó) |
|
Tango
28-09-43 (60-0230) |
Héctor Mauré
|
Aguilucho
(H.A.C. De Leporace, A. Roldán) |
|
Tango
28-09-43 (60-0230) |
Héctor Mauré
|
Yo Quiero Cantar Un Tango
(M. Nijensohn, J. Nieso, J.M. Suñé) |
|
Milonga
28-09-43 (60-0263) |
|
Corrales Viejos
(A. Aieta, F. Laino, A. Radicci) |
|
Tango
28-09-43 (60-0263) |
Juan Carlos Lamas
|
Aquel Muchacho De La Orquesta
(L. Caruso) |
|
Tango
23-11-43 (60-0260) |
Héctor Mauré
|
Uno
(M. Mores, E.S. Discépolo) |
|
Tango
23-11-43 (60-0260) |
|
Joaquina
(J. Bergamino) |
|
Tango
23-11-43 (60-0301) |
|
La Cumparsita
(G.H. Matos Rodríguez) |
|
Milonga
23-11-43 (60-0301) |
|
La Puñalada
(P. Castellanos) |
|
Milonga Candombe
27-12-43 (60-0360) |
Juan Carlos Lamas
|
Candombe Rioplatense
(P. Castellanos, C. Santiago) |
|
Vals
27-12-43 (60-0329) |
Héctor Mauré
|
A Mercedes
(H. Gutiérrez, J.V. Clauso) |
|
Tango
27-12-43 (60-0329) |
Juan Carlos Lamas
|
Es Inútil Que La Llores
(S. Grupillo, L. Caruso) |
|
Vals
27-12-43 (60-0388) |
Héctor Mauré
|
Prisionero
(J. Carressons, C. Bahr) |
|
Tango
27-12-43 (60-0360) |
Juan Carlos Lamas
|
Viejo Tintero
(G. De Leone, E. Maman) |
|
Tango
17-05-44 (60-0427) |
Héctor Mauré
|
Lilián
(H. Varela, L.R. Caruso) |
|
Tango
17-05-44 (60-0427) |
|
El Apache Argentino
(M. Aróztegui) |
|
Tango
17-05-44 (60-0449) |
Héctor Mauré
|
Las Doce
(J. D'Arienzo, N. López) |
|
Milonga
17-05-44 (60-0449) |
Héctor Mauré
|
Ana María
(F. Salamanca, N. López) |
|
Tango
09-06-44 (60-0497) |
|
La Mentirosa
(A. Aieta) |
|
Tango
07-07-44 (60-0476) |
Alberto Echagüe
|
Después
(H. Gutiérrez, H. Manzi) |
|
Tango
07-07-44 (60-0476) |
|
El Huracán
(E. Donato, O. Donato, N. López) |
Only known recording by D'Arienzo. The one that
appears on the Lantower CD "Juan D'Arienzo y su Orquesta, Vol.1"
(n°5 in the "Grandes del Tango" series) is in fact the recording by
Carlos Lazzari y su Orq. Juan D'Arienzo from 1987. |
Tango
21-07-44 (60-0497) |
Héctor Mauré
|
Amarras
(C. Marchisio, C. Santiago) |
Last recording with Héctor Mauré
|
Milonga
28-08-44 (60-0531) |
Alberto Echagüe
|
Yo Me Llamo Eloy Peralta
(A. De Bassi, J. Font) |
|
Tango
28-08-44 (60-0531) |
Alberto Echagüe
|
No Nos Veremos Nunca
(J. D'Arienzo, C. Waiss) |
|
Tango
21-09-44 (60-0547) |
Alberto Echagüe
|
La Madrugada
(A. Maffia, C. Castillo) |
|
Tango
21-09-44 (60-0547) |
|
El Romántico
(A. De Bassi) |
|
Tango
24-10-44 (60-0582) |
|
El Rezongón
(R. Natta) |
|
Milonga
24-10-44 (60-0582) |
Alberto Echagüe
|
La Mañana
(M. Bucino) |
|
Tango
24-10-44 (60-0559) |
Alberto Echagüe
|
A Suerte Y Verdad
(C.M. Parodi, C. Waiss) |
|
Tango
24-10-44 (60-0559) |
|
Venus
(A. Bevilacqua, A. Timarni) |
|
Tango
15-12-44 (60-0628) |
Alberto Echagüe
|
Seamos Amigos
(D.A. Rulio, Principe Cubano) |
|
Milonga
15-12-44 (60-0628) |
Alberto Echagüe
|
Oro De Ley
(R. Juri, C. Waiss) |
|
Milonga
15-12-44 (60-0602) |
Alberto Echagüe
|
Clavel
(O. Sosa Cordero) |
|
Milonga
15-12-44 (60-0620) |
Alberto Echagüe
|
El Paisanito
(P. Clausi, M.L. Pérez) |
|
Milonga
26-12-44 (60-0646) |
Alberto Echagüe
|
Me Gusta Bailar Milonga
(P. Castellanos) |
|
Tango
26-12-44 (60-0620) |
Armando Laborde
|
Magdala
(R. Biagi, F. Gorrindo) |
|
Tango
26-12-44 (60-0602) |
Armando Laborde
|
Color Cielo
(A. Bonavena, Montenieve) |
|
Tango
26-12-44 (60-0646) |
Alberto Echagüe
|
Vieja Volanta
(E. De La Cruz, F.A. Marino) |
|
